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There was a period in the 90s where either Wednesdays or Thursdays you could get a hamburger for .29¢ and a cheeseburger for .39¢ which is about all they’re worth.
There was a period in the 90s where either Wednesdays or Thursdays you could get a hamburger for .29¢ and a cheeseburger for .39¢ which is about all they’re worth.
I love a floor pill. “So, we going up or we going down?”
If it’s part of a performance, for example. I guess the point of the debate here is that context matters and that you can do it under very, very specific circumstances.
“Free speech” is very much misunderstood as a form of carte blanche as your example demonstrates. It’s written as “Congress shall make no law…” etc., implying you’re protected only from the federal government, but as time and court cases and legal discourse have shown, there are limits and implications for lower legislatures to model from. The classic hypothetical example is “yelling fire in a crowded theater.” Can you? Yes. Should you? Unless there’s a fire, no, then it could cause panic and injury, and you’d be responsible. That sort of thing. (The US loves a lawsuit).
Tl;dr to answer your question: no.
Looking at a mere picture of it can get a whole squad blitzed for weeks
Your commission, Debo: “about two hundred dollars.”
Second Emisar. I suggest looking through ZeroAir for some recommendations on where to get started with chargers. Or if you’re a masochist who likes details, this is pretty thorough.
If we’re going mutually assured destruction we’re going high CRI
Just to specify, the issue is with the Hannah Reyes Morales set (avert your gaze to the children bedazzled with shrapnel instead!)
They have windows in the basement?
Nah it might be a real weight off their shoulders
Nonsense. This place is refreshing, like the bold taste of New Coke.
An interesting case (from a book which I unfortunately can’t remember the name of) from when Jack Benny’s career transitioned from radio to tv: he hated the laugh track, so much so that he demanded it be cut way back and lowered in volume. He also utilized it in an unexpected way: when he had a live audience in certain cases, if a joke or gag got an unexpected big laugh that he didn’t think deserved the reaction, he’d fill in a laugh track with a more muted response.