I would add the admittance of China to the WTO as another proximate cause. And one which probably had more of a material effect than NAFTA; but, NAFTA had already become a GOP talking point and it just stuck. China’s entry to the WTO was also moved over the finish line by Bush II, though most of the ground work was laid by Clinton. So, it wouldn’t have had the same clean narrative as NAFTA. US Employment in manufacturing went into freefall in late 2000 and early 2001. This was also during a recession, so that is intermixed with the effects of those changes in international trade. But, even as the recession receded and the US entered an economic boom, leading up to the 2008 crash, manufacturing employment in the US either held steady or decreased slightly. It’s unsurprising that the same period saw a lot of offshoring of manufacturing to China. And this was also the period of Neoliberal economists pushing “comparative advantage” and how the US losing all those manufacturing jobs was a good thing.
So it’s not surprising then that they get bitter, they cling to guns or religion or antipathy to people who aren’t like them or anti-immigrant sentiment or anti-trade sentiment as a way to explain their frustrations.
– Barack Obama, 2008
The new seasons have been lackluster. I think one of the main issues is that the show did a lot to wrap up the majority of the main character arcs prior to the cancellations. Fry and Leela are the central characters, often trading off the position as the audience stand-in. And there is basically zero room left for character growth. We know how the Fry/Leela love story arc ends, we’ve seen it. Kif and Amy have also hit the end of their main character arcs. They are married, have kids, and mostly are settled into domestic life. Bender is Bender. A core part of his character is his resistance to growth. So, even when they drop a backstory on him and try to give him growth, it just feels out of place. That only leaves background characters to work with. But, since it takes the focus off the main characters, it makes things feel like a money-grab spin-off.
All that’s left is the sort of 90’s sit-com style, “story of the week” where nothing really changes and we all learn whatever moral lesson the writers wanted to foist on us this week in 22-minutes, plus commercial breaks. We all want “more Futurama”; but, I think the problem may be that there isn’t “more Futurama”. The stories are done, we just keep hanging on because of nostalgia, and the producers keep making it because of money. There are going to be good bits here and there. But, what we are seeing is what we are going to keep getting.