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Cake day: August 15th, 2024

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  • Art supplies were historically not cheap. If you wanted to do this for a living, you were probably needing to aim for selling your art to the rich upper class. That implicitly meant catering to their fickle tastes and working on commission. You didn’t make art for you and find your audience later, you made art for the customers you had or you starved.

    And to put it bluntly, realism wasn’t the fashionable hotness for most of human history. The more “crude” styles you may think of as objectively inferior to and less technically impressive as realism were in fact the styles in demand at their respective times. Fashion existed in ancient and medeival times just like it does today, and those styles were the fashion.

    The idea of the independent eccentric artist who lives secluded in their ideas cave producing masterpieces for no one in particular leaving the world in awe at their genius every time they come out with something to show is a very modern concept. If any artist wanted to make a realism painting in an era where it was not popular, they’d be doing it purely for themselves at their own expense. So virtually no one did. Or if they did, their works largely didn’t survive.


  • pixelscript@lemm.eeto196@lemmy.blahaj.zoneAutism rule
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    2 months ago

    Yes. On average.

    If you specifically take 100 kilos of core material from the Sun, then it would be a no contest victory for the Sun. But the Sun is very, very big, and when it comes to producing energy, most of it is doing absolutely nothing. So it brings the average energy production per kilo way, way down.


  • pixelscript@lemm.eeto196@lemmy.blahaj.zoneAutism rule
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    2 months ago

    On the other hand, if you average the Sun’s energy generation across its entire volume and adjust for that volume’s mass, an equivalent mass of human body tissue generates more heat energy.

    So your eyes may not have the raw lumen output of an entire star; but, pound for pound, your eyes would outshine a similarly massive piece of one.


  • Emojis to me are like a strongly flavored seasoning. It’s only appropriate in specific contexts, and even in those contexts, just a pinch goes a long way. Too much and it can detract from the experience.

    Emojipasta is grossly overseasoned food. But that’s the point, obviously. It’s the emoji version of those white women on Tiktok who throw three pounds of ground beef wrapped around an entire block of cheese in a baking sheet full of milk and bake it in the oven for rage clicks.

    Me, personally, I usually don’t need emoji seasoning. I’m fine with it plain. Besides, most emojis to me have all the class of drowning your entire meal in ranch dressing. There are a very small handful of exceptions. But that’s just my lame opinion.

    And of the ones I do find theoretically useful, I’m always hesitant to use them, because emoji rendering is platform specific. They’re not quite like text, where the glyphs are entirely utilitarian and typeface it’s written in conveys little to no information. But with emojis, the subleties pile up. A thinking emoji rendered on a Windows PC isn’t quite the same as a thinking emoji on an iPhone, or various kinds of Android phones. Unless I’m on a platform like Twitter or Discord that forces all clients to use a single emoji set, I can never confidently send a precise emotion with an emoji.

    Platforms like Discord that let you create your own emojis instead of using the comparatively sterile, corporate-approved, general purpose set provided in standard Unicode is another story. I like those and use them extensively. If Lemmy natively supported a Discord-esque system where instances or communities could define custom emojis that didn’t rely on custom clients, plugins, or instance-specific rendering hacks, I’d use them all the time. Though this would, I presume, be to the extreme chagrin of many.